Grade 8 ELA — Unit 3: Human Intelligence

Flowers for Algernon • Focus: Minor Writing Task (MWT) Prep • Essential Question: In what ways can human beings be intelligent?

How to use this page: This week is built to move students from reading like writers to drafting and revising a narrative-argument for the Unit 3 Minor Writing Task. The daily flow stays consistent: Cornell Notes → Paired Reading → Whole-Class Writing Moves → Independent Writing → Exit Ticket.

Week Overview

MWT Standard Set 8.T.T.1.e 8.T.T.4.b 8.T.T.2.d 8.T.T.3.c K-12.P.EICC.4
MWT Purpose Snapshot: Students narrate a personal experience that demonstrates their preferred multiple intelligence and argue why it is the most valuable (audience: readers of a youth magazine).

Monday — Narrative Techniques (Reading Like a Writer)

Text: Flowers for Algernon (through April 9) Narrative Craft
Standards: Text 8.T.T.1.e  |  Practice K-12.P.EICC.4  |  Language 8.L.GC.2.c
  • Text (8.T.T.1.e): Apply narrative techniques to enhance writing, engage audiences, and achieve specific purposes.
  • Practice (K-12.P.EICC.4): Compose a range of texts for a variety of purposes and audiences, flexibly engaging in writing processes to plan, draft, evaluate, revise, and edit texts.
  • Language (8.L.GC.2.c): Distinguish between active and passive voice, revising texts to maintain consistency in active voice.
  • Standard: Students identify and apply narrative techniques that reveal intelligence and shape audience engagement.
  • Objective (I Can): I can name narrative techniques in the text and imitate them in my own writing for a specific purpose.
  • 0–7 | Cornell Notes (Do Now): Define dialogue, pacing, description. Then answer: “Which technique best shows Charlie’s intelligence in this entry?”
  • 7–22 | Paired Reading: Partners read selected progress report entries. Each paragraph gets one margin code: D (dialogue), P (pacing), Desc (description), R (reflection).
  • 22–35 | Whole-Class Modeling: Teacher models a “craft move chart” (Technique → Effect → Evidence).
  • 35–50 | Independent Writing (MWT Seed Draft): Draft a short personal moment that demonstrates one intelligence. Must include two narrative techniques.
  • 50–55 | Exit Ticket: “Which technique did you use, and what effect should it have on a youth-magazine reader?”
Teacher Script (Whole-Class Move):
“Narrative techniques aren’t decoration. They’re evidence. When Charlie’s writing changes, the technique itself proves a change in his thinking.
Watch: I’m going to take one plain sentence and revise it with pacing + reflection. Then you’ll do the same with a sentence from your draft.”
Creativity Component (2 minutes): “One-Sentence Snapshot” — write one sentence that implies intelligence without naming it (no words like smart/brilliant). Share with partner. Creative

Tuesday — Claim + Evidence (Narrative Argument Structure)

Text: Flowers for Algernon (through April 9) Structure & Argument
Standards: Text 8.T.T.3.c  |  Practice K-12.P.EICC.4  |  Language K-12.L.GC.1.54
  • Text (8.T.T.3.c): Apply argumentative techniques (e.g., author’s claim, supporting relevant evidence, an identified counterclaim, and a logical conclusion) to enhance writing and engage audiences.
  • Practice (K-12.P.EICC.4): Compose a range of texts for a variety of purposes and audiences, flexibly engaging in writing processes to plan, draft, evaluate, revise, and edit texts.
  • Language (K-12.L.GC.1.54): Use conventional capitalization, quotation marks, commas, end punctuation, and parentheses (citations) when incorporating textual evidence.
  • Standard: Students bridge narrative moments to argumentative purpose (claim + evidence + reasoning).
  • Objective (I Can): I can write a claim about intelligence and select narrative evidence that proves it.
  • 0–7 | Cornell Notes (Do Now): Write a one-sentence claim: “The most valuable intelligence is ___ because ___.”
  • 7–22 | Paired Reading: Partners locate one moment where Charlie’s thinking changes. They write: “This moment suggests intelligence is ___ because ___.”
  • 22–35 | Whole-Class Modeling: Teacher models a “Narrative Evidence Sandwich”:
    • Claim sentence
    • Short story evidence (what happened)
    • Reasoning (how it proves the claim)
  • 35–50 | Independent Writing: Students build a paragraph that argues their intelligence choice using one narrative moment (their own or from the text as a mentor).
  • 50–55 | Exit Ticket: Add one counterclaim starter: “Some may argue ___, however ___.”
Teacher Script (Whole-Class Move):
“An argument isn’t an opinion. It’s a claim that survives pressure. Today we add pressure by building a counterclaim.
If your story is the evidence, your reasoning is the proof.”
Student Choice (Quick Pick): Pick ONE revision focus for your paragraph:
  • Stronger claim language
  • More specific evidence (moment, detail, action)
  • Clearer reasoning (because/therefore)
Choice

Wednesday — Style, Imagery, and Voice (Audience: Youth Magazine)

Text: Flowers for Algernon (through April 9) Voice & Impact
Standards: Text 8.T.T.4.b  |  Practice K-12.P.EICC.4  |  Language 8.L.GC.2.c
  • Text (8.T.T.4.b): Apply poetic techniques (e.g., stanzas, rhyme/rhyme scheme, imagery, figurative language, sound devices) to produce poetry and engage audiences.
  • Practice (K-12.P.EICC.4): Compose a range of texts for a variety of purposes and audiences, flexibly engaging in writing processes to plan, draft, evaluate, revise, and edit texts.
  • Language (8.L.GC.2.c): Distinguish between active and passive voice, revising texts to maintain consistency in active voice.
  • Standard: Students revise style to fit audience and increase impact using imagery/figurative language while maintaining clarity.
  • Objective (I Can): I can revise my draft to sound intentional for a youth-magazine audience.
  • 0–7 | Cornell Notes (Do Now): Define imagery + figurative language. Then: “Which line from your draft could be made more vivid?”
  • 7–22 | Paired Reading: Partners find one line in the text that creates a strong mental image and label what technique it uses (imagery, metaphor, etc.).
  • 22–35 | Whole-Class Modeling: Teacher models “1 sentence → 3 revisions” (plain → vivid → vivid + purposeful).
  • 35–50 | Revision Workshop: Students revise one paragraph for (a) vividness and (b) active voice consistency.
  • 50–55 | Exit Ticket: Write your best revised sentence and name the technique used.
Teacher Script (Whole-Class Move):
“You’re not trying to sound ‘fancy.’ You’re trying to be unforgettable.
Today: one paragraph gets upgraded for audience + impact. If the reader can’t picture it, they won’t believe it.”
Creativity Component (2 minutes): “Metaphor Draft” — Write one metaphor for your intelligence (e.g., “My intelligence is a ___ because ___.”). Creative

Thursday — Minor Writing Task (Day 1)

Assessment: Unit 3 Minor Writing Task MWT
Assessment Draft + revise for audience + clarity
  • Plan: claim about most valuable intelligence + personal narrative moment that proves it.
  • Draft: narrative argument (story evidence + reasoning).
  • Revise: improve technique + organization + voice.
Teacher Move (quiet, non-remedial): Optional 1:1 enrichment conference with high performers: “How could you strengthen your counterclaim?” “Where can you tighten pacing?” “What’s your most persuasive sentence?”

Friday — Minor Writing Task (Day 2)

Assessment: Unit 3 Minor Writing Task MWT
Assessment Finalize + edit
  • Edit: conventions, punctuation for evidence, active voice consistency.
  • Finalize: ensure claim + narrative evidence + reasoning + conclusion.
  • Submit: final draft.
Finish Strong Checklist (student-facing): Claim is explicit • Narrative proves the claim • Reasoning explains “why it proves it” • Voice fits a youth magazine • Sentences are clear and mostly active.
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